To Venice on the Orient Express

There has been no murder on the train but the ‘Agatha Christie Cocktail’ is a delicious poison mixed expertly by Walter.

Leaving Victoria Station on a Thursday morning in the beautiful, fully restored ‘Gwen” a Pullman Carriage, in a cream and maroon livery, just like the carriages I had in my Tri-ang railway set which was pulled by my favourite steam train ‘Princess Elizabeth’.

Clickety Clacking to the Euro Tunnel and then boarding the ‘Real Deal’ in Calais.

The 1929 sleeper compartments ooze history (Hitler had one as a mobile brothel – if you believe some stories). The history of Europe’s decadent and brutal past is etched into the bur oak veneer and Lalique reliefs. Traveling at speed through the countryside, the graffiti covered suburbs of Paris,  then Lake Zurich and up into Austria.

There was a quick stop at Innsbruck and then a mad dash through Austria on into Italy. Disembarking at the train station – taking a water taxi to the Cipriani hotel on the tip of Giudecca Island, opposite San Marco on the main island of Venice, it has unrivaled views of the lagoon and Doge’s Palace.

Wow what a hotel…

…and what an amazing Easter Sunday – the view from the bedroom window has got to be one of the best ever!

The church bells rang out from dawn and the smell of Spring followed the call, fresh, new and slightly cool.


Art ?

There is so much art in Venice to see – I must admit I neglected the galleries, except the Guggenheim, Palazzo Venier dei Leoni, where Peggy Guggenheim lived and which has a couple of great Pollocks,  my favorite being Two, 1943–45 and a typical Bacon (Study for Chimpanzee).

by Peter Bright (aka This Window)

La Belle et La Bête for sale La Belle et La Bête – Original painting by Peter Bright. Media: Painting and Screen Print on canvas, signed and dated 2011. Size: 110mm x 820mm Supplied in the original black ‘temporary’ studio frame. Buy here from Morgue Gallery ARTIST … Continue reading →