Contemporary artists have extended the boundaries of painting considerably to include; collage, different materials such as sand, cement, straw or wood for their texture. Juxtaposing images and materials, either as a collage, printing or painting is not simply a decorative process it is a complicated exercise. The mind always tries to create a narrative between images and materials. The juxtaposition of arbitrary marks, color, photographs etc. will always tease and trick the mind into rationalizing what it is trying to process and attempt to make physical world references – in other words make sense of what it is trying to analyze.
Since the proliferation of computers, painting could be argued to have migrated to the digital age (world). There is a massive community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, Gimp and others. Does this mean that new printing techniques have now become absorbed into painting methodologies and practices?
This meshing together of processes, unrelated imagery and the breaking down of barriers cannot be seen as a shortcut to intellectual credibility. The dedicated thought process that goes with the creative procedure should be one of intense reasoning. It is therefore unrealistic to expect the uneducated masses to use the computers prescriptive decision making to create ‘real art’. The birth of Photoshop has enabled everybody to create ‘non-intellectual’ versions of Rauschenberg (and Warhol) – this is not ART.
“Painting is the practice of applying paint, pigment, color or other medium to a surface. The application of the medium is commonly applied with a brush. In art, the term painting describes both the act and the result of the action. These same criteria can be used to describe printing.”
Oil painting (like the image above) is the process of painting with pigments that are bound together with a medium of drying oil. Oil paint eventually became the principal medium used for creating artworks as its advantageous properties became widely known and exploited. By the height of the Renaissance oil painting techniques had almost completely replaced tempera paints in the majority of Europe.
Painting, painting techniques and painting mediums can be adapted to create images of any size, the only limitation is the size of the surface the paint is being applied to.
MorgueGallery.com will mail you a signed postcard that has been recycled by Peter Bright, each postcard is different and variations of this image have appeared in exhibitions all over Europe and the USA.
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Originally this recycled postcard was a promo for ‘Cassette Culture‘ a download album from This Window which was released in 2009 (which is available on iTunes etc). The photographic source material is of Marni De Much, the drummer on the ‘Morgue Studio Demos’ limited edition This Window CDR release.