…to be able to imitate the real world is useful when trying to turn your back on it.
A degree of pressure can give you the ‘edge’ and help you to effectively perform but excessive stress and worry can reduce your productive output and make it difficult to make the right decisions.
Paradigm: Clients are always shocked when I suddenly present to them a ‘painting from life’ – I appear to produce slap-dash imagery as my main artistic process, this isn’t because I haven’t mastered the basic fundamental skills of ‘traditional’ painting and drawing because I have and I am more than able to produce paintings in a typical style or pattern of work; a pattern or mode of working, arranged in order to form semantic constructions and express relations(hips) to the real world
Artists and teachers have argued for years that to fully understand the processes required in creating non-representational art, a knowledge of basic representational ‘tricks’ is vital – to be able to imitate the real world is useful when trying to turn your back on it.
Memories: Dead birds and rubber gloves, stolen kisses, pouches of Chinese fresh drinking water, broken dreams, sections of discarded fishing nets strewn across the tourist beach, lovers in the darkness groping for the dark, hands first finding spaces, then they find there mark, my father, my ghost, my hopes and dreams, stinking of rotting carcasses [Read More]
The Defeatist: I have never been a true artist. The naked truth is I have been and still am a liar. The pointlessness of producing art for decoration and pleasure is a perverted masturbation fantasy – a process for the deluded mind. Art and its prettiness have no place in any intellectual society – it has no place in a capitalist society …
The only true pursuit for the creative process is the creation of the commodity. There are no such things as art schools, public art and art galleries, they are simply empty vessels containing and perpetuating the (economic) elitist stranglehold on the common man’s freedom to think for himself.
The powerful use art to bludgeon the weak into submission by edifying their wealth with totems and monuments to their self glory.
Any person who calls themselves an artist should be ashamed of themselves – because they are a liar.