‘Le déjeuner sur l’herbe’ a photographic version.
Edouard Manet’s Déjeuner sur l’herbe (a large oil on canvas, during 1862 and 1863) caused a big stir at the Salon des Refusés in Paris, having been rejected by the Salon jury of 1863. Manet seized the opportunity to exhibit this and two other paintings, at the 1863 exhibition and reveled in the public notoriety and controversy that followed.
The painting has historic and pastoral overtones, depicting the juxtaposition of a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. This painting references previous works of art by Titian (c.1487–1576) and Giorgione (c.1476–1510). The piece is now in the Musée d’Orsay in Paris. A smaller, earlier version can be seen at the Courtauld Gallery, London.
The image above was created using 35mm negatives that had been taken using a Pentax SP1000 camera. All Pentax Spotmatics (SP) use the M42 screw-thread lens mount. The lenses are focused at maximum aperture to give a bright viewfinder image for focusing, then a switch at the side stops the lens down and switches on the metering to enable the exposure to be set prior to shutter release. The above photographs were taken in 1981 and 2012 and merged together in March 2013.
Bow Wow Wow‘s version of the same painting:
Famously, coinciding with Annabella Lwin’s posing for album cover work, her mother alleged exploitation of a minor for immoral purposes, and instigated a Scotland Yard investigation. As a result the band was only allowed to leave the UK after McLaren promised not to promote Lwin as a “sex kitten”. This included an agreement to not use a nude photograph depicting Lwin as the woman in The Luncheon on the Grass (Le déjeuner sur l’herbe), though the picture was used as the cover of the band’s 1982 RCA EP The Last of the Mohicans, which became their best-selling album in the U.S.
- ‘Manet: Portraying Life’ – very disappointing ?
- Blogger or WordPress ?
- Ross Bleckner’s Book – clippings of New York Times articles – ‘My Life in the New York Times’
I have always loved the drawings of Degas. The way he portrayed women, sensually and simply is to be admired. In the late 1880s, Degas also developed a passion for photography and this new skill influenced the composition of his paintings… Continue reading